3,385 views Jun 11, 2024 Audio: Schoeps MK4v Video: Sony FDR-AX700 First show of Little Feat’s “Can`t Be Satisfied Tour”. opened for Tedeschi Trucks Band. Setlist from www.Featbase.net: Fat Man In The Bathtub All That You Dream Oh Atlanta Spanish Moon – Skin It Back Why People Like That (from Sam’s Place, LF’s new album) Willin’ Dixie Chicken Recorded by chris cafiero, Little Feat Archivist, 23 East/Brownies/Ardmore Music Hall Archivist Subscribe to my channel for tons of live music in 4K. Support live music. Buy artist’s studio CD, DVD, downloads and swag. Disclaimer: All audio & visual parts in my videos are the sole property of their respective owners. These videos are purely for entertainment and recreational purposes. “Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.” * Presented under fair use for educational purposes, materials all rights reserved by the original owners.

Chris Cafiero 33.2K subscribers

3,764,337 views Nov 13, 2014 The Allman Brothers Band – Full Concert Recorded Live: 9/23/1970 – Fillmore East (New York, NY) More The Allman Brothers Band at Music Vault: http://www.musicvault.com Subscribe to Music Vault: http://goo.gl/DUzpUF Setlist: 0:00:00 – Don’t Keep Me Wonderin’ 0:04:06 – Dreams 0:13:55 – Whipping Post Personnel: Gregg Allman – organ, vocals Duane Allman – guitar, vocals Dickey Betts – guitar, vocals Berry Oakley – bass, vocals Butch Trucks – drums Jai Johanny Johanson – drums Tom Doucette – harp Summary: On this date, Bill Graham assembled a stellar roster of bands to participate in the filming of a television special called Welcome To The Fillmore East for broadcast on educational channels. Short sets were filmed by the Byrds, the Elvin Bishop Group, Sha-Na-Na, Van Morrison, and the Allman Brothers Band, as well as behind-the-scenes footage of Bill Graham and the Fillmore East staff at work. The Allman Brothers performance is nothing short of spectacular and features the original lineup that included Duane Allman and Berry Oakley. Recorded six months prior to the legendary Live At Fillmore East double album set, this performance captures the Allman Brothers when they were a relatively new band, full of youthful passion and performing what would become classic original material when it was fresh and new. Following Bill Graham’s introduction, they kick things off with a tight performance of “Don’t Keep Me Wonderin’,” which features the band’s friend, Tom Doucette, blowing harp over the group’s trademark sound. Gregg’s vocal is barely audible, but it’s obvious the group is full of fire. “Dreams,” which follows, slows things down a bit and the group establishes a relaxed groove that showcases their trademark sound, blending elements that would eventually come to define “Southern Rock.” They hit their stride on the next number, Dickey Betts’ “In Memory Of Elizabeth Reed.” Here, the dual guitar attack of Allman and Betts is astounding. The two guitarists intertwine and synchronize in a manner nothing short of telepathic, creating a melting pot seasoned with elements of jazz, rock, country, and blues into a style utterly their own. The set ends with a ferocious take of “Whipping Post” that features outstanding melodic bass playing from Berry Oakley, with both Duane Allman and Dickey Betts soaring over the propulsive rhythm section. Shorter than the expansive versions that would develop in coming months, this is all the more fascinating for it, as they compress an incredible amount of energy into the time allotted. Time constrictions and vocal microphone malfunctions aside, this is still a fascinating performance. This original lineup of the band was certainly one of the most innovative and captivating bands to ever play the Fillmore.

Allman Brothers on MV 79.9K subscribers

743 views Aug 16, 20211 Twelve Gates To The City 3:35 2 Woke Up This Mornin’ 3:05 3 Needed Time 3:55 4 Shingle By Shingle 3:37 5 Let Me Fly 2:32 6 Mornin’ Train 2:09 7 The Soul Of A Man 3:01 8 I Want Jesus To Walk With Me 3:53 9 In My Father’s House 3:13 10 Show Me The Way 3:11 11 Right On Time 2:56 12 I Heard The Angels Singing 3:11 13 All My Trials 4:06 14 I Want Jesus To Walk With Me (Instrumental) 1:48

Collection of gospel music from Eric Bibb, released by Luna Records of Canada in 2006.

https://www.ericbibb.com

Tedeschi Trucks Band Sterling Hts. MI. 8.11.24 (Full Show)

Cheech Merrill 41 subscribers

https://www.tedeschitrucksband.com

The Tedeschi Trucks Band is an American blues and blues rock group based in Jacksonville, Florida. Formed in 2010, the band is led by married couple Susan Tedeschi and Derek Trucks. Their debut album, Revelator, won the 2012 Grammy Award for Best Blues Album. The band has released five studio and three live albums. Wikipedia

Ella Josephine Baker was an African-American civil rights and human rights activist. She was a largely behind-the-scenes organizer whose career spanned more than five decades. In New York City and the South, she worked alongside some of the most noted civil rights leaders of the 20th century, including W. E. B. Wikipedia

HOW A DOUBTER BUILT A CHURCH THAT CHANGED THE FACE OF MUSIC FOREVER.

On the night of May 10, 1885, Riverboat Captain Thomas Green Ryman arrived at a downtown Nashville religious revival to see what all the fuss was about. He left town that evening called by God to build a big, beautiful church.

At the time, Ryman was a prominent 44-year-old Nashville businessman and the owner of a major riverboat company.  He started the business with his father and quickly took over management of the venture at 15, fishing the Tennessee River near Chattanooga during the Civil War to support his mother and four siblings after his father died. Over time, Ryman amassed a 35-ship fleet as well as various saloons and side businesses catering to rowdy river life. Ryman directly profited from the alcohol, gambling, and unsavory behavior that the popular Reverend Sam Jones was set to rail against on that hot revival night in May, and he arrived with a few friends to see just what the good reverend had to say about the situation.

https://www.ryman.com/story/captain-tom-ryman-captain-skeptic-convert

What happened next was nothing short of a miracle. Reverend Jones was famous for his tent revivals, and this one drew a crowd of thousands to Spruce and Broad (8th Ave and Broadway). Though Ryman arrived as a curious spectator, the Reverend’s sermon and the energy of the faithful crowd stirred something deep and surprising inside him.  He pledged then and there to use his wealth and influence to construct a building large enough to hold every person who wanted to hear Sam Jones and others preach. He wanted to ensure that the good citizens of Nashville would have a proper place to worship together and that they would never have to attend a revival under a tent again.

Seven years and approximately $100,000 later, in 1892, Reverend Jones stood behind the pulpit of Ryman’s brand-new Union Gospel Tabernacle to preach. He declared, “I believe for every dollar spent in this Tabernacle, there’ll be $10 less spent in the future on court trials. This tabernacle is the best investment the city of Nashville ever made.”

When he died in 1904, Ryman was widely regarded as an exceptional businessman and a pillar of faith, generosity and kindness in the Nashville community. At Ryman’s funeral on Christmas Day, Sam Jones proposed to the 5,000 mourners in attendance that the building be re-named in the Captain’s honor; from that day forward, the Union Gospel Tabernacle was known as Ryman Auditorium. Today, a copper statue of the Captain stands on Ryman Plaza near the auditorium’s entrance, facing east toward the river that fueled the fortune behind what would become affectionately known as the Mother Church of Country Music.

Learn more of our history.